Rebeca. 23. GRYFFINDOR PRIDE. HOUSE TARGARYEN. DISTRICT 12. DAUNTLESS. ARES. SHADOWHUNTER. DHAMPIR. RUNNER. DC/MARVEL.
listening to the same music i used to listen when i was 14-15 is something else i'm still her i'm nothing like her anymore she knew everything she knew nothing she was so right she was so wrong
imagine your otp… no. don’t imagine your otp. imagine my otp. and write fanfics about them. cause i need something to read.
last night i had the weirdest nightmare…i was being eaten alive by bugs but i was thinking in another language?? like all i thought over and over again was “pelkoja”
HELLO?
will never get over the fact that we can love people despite there being countries between us. we can miss people we’ve never seen in person. we can connect and bond over hundreds of things without ever needing to be in each others physical presence. we can have half the globe between us and love never falters.
Congratulations, this is the worst ask I’ve ever gotten
reblog if you’re a lesbian, support lesbians, or think ted bundy is ugly
Ok but also from a like, theatrical storytelling perspective, there’s a thing called “willful suspension of disbelief” which is basically the concept that in order to let ourselves be immersed and enjoy a story, we need to turn off our knowledge that it’s all fake anyway.
like yes, we all *know* it’s unrealistically bright for a night time war, but it needs to be so we can SEE the story being told, and the lighting designer used blue light to show it was night time. We KNOW that Sir Ian isn’t actually a wizard but we SUSPEND that DISBELIEF because we want to be entertained.
If we can accept fucking dragons, we can accept light nights
IF FAN THEORIES ARE RIGHT IT IS A SIGN YOU HAVE TOLD A WELL-PUT TOGETHER AND FOLLOWABLE PLOT, NOT A SIGN YOU NEED TO MAKE UP SOME BULLSHIT FOR A TWIST ENDING.
FUCK OFF WITH THIS SHIT.
No wait, I’m not done here:
If the fans get where you are going and ARE STILL HAPPY, you KEEP GOING THERE. It shows they’re invested and your story craft is setting up and paying off properly.
It is not a sign you need to M Night Shamaylan things until narrative is fuckin dead and “surprise endings!” reign supreme. If no one can guess what will happen, you don’t have a plot, you have deus ex machinas strung together like a child’s macaroni necklace. It might be endearing and beloved but its hardly a fuckin masterpiece.
To be utterly frank, this is where “NO SPOILERS! NO SPOILERS EVER! NO ONE IS ALLOWED TO BREATHE ABOUT THE PLOT UNTIL IT’S BEEN OUT ON DVD FOR FIVE YEARS” attitude has left us – And the studios ACTIVELY encourage that shit because first week viewing numbers are their whole lifeblood.
Sure, an “oh shit” moment is great, but if you’re doing it well, I should have that moment watching the show the second, fifth, or hundredth time, knowing how it will go. If being surprised were truly so important to a narrative, why even make a Shakespeare play? Is anyone out there still hoping Romeo and Juliet still get together at the end? Why make mystery novels into movies? Spoiler warning: Hercules Poirot gets the bad guy. Movies that directly follow historical events? Clearly worthless.
Come on, now. Sure, try not to spoil shit for people intentionally, don’t be a dick, but can we calm the fuck down and can Hollywood stop pushing this shit both in social media and with business choices like this?
“i cant help but think that fans should be allowed to like, gather in groups online and theorize and have fun without networks watching in”
-Lindsay Ellis abt game of thrones doing the same thing
i wish i was a character on a silly tv show so gay people on tumblr dot com would psychoanalyze me for free
The final works for Valve zine can now be posted! It was absolute pleasure to draw something with one of my favourite characters
